de Ovidiu Ionescu<\/p>\n
Consiliul Na\u021bional pentru Studierea Arhivelor Securit\u0103\u021bii – CNSAS \u2013 a publicat \u00eentr-una din zilele trecute un colaj de fotografii<\/a> opun\u00e2nd experien\u021ba tinerilor apar\u021bin\u00e2nd genera\u021biei mele \u2013 acum oameni de peste 50 de ani \u2013 cu cea a tinerilor de ast\u0103zi. Sunt imagini puternic contrastante, filozofia de tipul o singur\u0103 imagine valoreaz\u0103 c\u00e2t o mie de cuvinte<\/a> din spatele acestui demers \u00eemi pare cea mai benign\u0103 interpretare a demersului CNSAS. Cel mai probabil avem \u00eens\u0103 de-a face cu o \u00een\u021belegere frauduloas\u0103, cu o concep\u021bie progresist\u0103 a istoriei noastre recente, cu o interpretare a istoriei \u00een care libertatea este r\u0103st\u0103lm\u0103cit\u0103 \u0219i golit\u0103 de semnifica\u021bie \u0219i consisten\u021be.<\/p>\n Manipularea sensului cuv\u00e2ntului libertate nu este o inova\u021bie recent\u0103, plasarea libert\u0103\u021bii \u00een slogan<\/a>uri <\/a>contradictorii<\/a> sau \u00een contexte impropri<\/a>i<\/a> sunt instrumente prin care st\u00e2nga politic\u0103 a reu\u0219it deplasarea semantic\u0103 a acestui cuv\u00e2nt f\u0103c\u00e2nd practic imposibil\u0103 transmiterea \u00eentre genera\u021bii a idealului nealterat al libert\u0103\u021bii umane.<\/p>\n C\u0103ci libertatea \u00eenseamn\u0103 oare posibilitatea de ne desfigura purt\u00e2nd haine \u00een r\u0103sp\u0103r cu propria anatomie \u0219i fiziologie, aceea de a ne polua min\u021bile ascult\u00e2nd sunete dezarticulate sau de a repeta sloganuri rebele cu voie de la autorit\u0103\u021bi variind \u00eentre abera\u021bii de tip New Age \u0219i ideologia \u00eenc\u0103lzirist\u0103? Sunt oare, \u00een mod legitim, practicile sexuale deviante cuprinse \u00een aria semantic\u0103 a cuv\u00e2ntului libertate? Este oare o dovad\u0103 a faptului c\u0103 suntem liberi dezincriminarea consumului de canabis \u00een timp ce interzicem fumatul tutunului \u00een spa\u021bii aflate \u00een proprietate privat\u0103? Este o dovad\u0103 a libert\u0103\u021bii faptul c\u0103 subven\u021bion\u0103m art\u0103 (degenerat\u0103 sau nu) cu bani publici?<\/p>\n Fotografiile sunt utile atunci c\u00e2nd sunt \u00eenso\u021bite de cuvinte capabile s\u0103 exprime idei care s\u0103 pun\u0103 imaginea \u00een context. Plasate \u00een afara contextului sau \u00eentr-un context fals acestea devin manipulatoare iar exact aceasta este inten\u021bia celor de la CNSAS. S\u0103 refacem deci contextul, s\u0103 \u00een\u021belegem fotografiile propuse spre vizionare de c\u0103tre CNSAS.<\/p>\n Instalarea comunismului a fost \u00eenso\u021bit\u0103 mereu \u0219i pretutindeni de o confiscare violent\u0103 \u0219i abuziv\u0103 a rolului comunit\u0103\u021bilor locale. Comunit\u0103\u021bile locale au avut rolul tradi\u021bional de a forma anticorpii care s\u0103 le conserve identitatea \u00een vreme de inova\u021bia era asigurat\u0103 de competi\u021bia economic\u0103, cultural\u0103 etc existent\u0103 \u00eentre multiplele comunit\u0103\u021bi. Echilibrul identitate\/inovare gestionat la nivelul unor mici comunit\u0103\u021bi a f\u0103cut ca de-a lungul istoriei violen\u021ba politic\u0103 s\u0103 fie gestionat\u0103 la un nivel acceptabil social iar occidentul european ca \u0219i cel nord american s\u0103 ne ofere ast\u0103zi o imagine pestri\u021b\u0103 \u0219i autentic divers\u0103 dar \u0219i prosperitate, toate \u00eenc\u0103 specifice lumii \u00een care tr\u0103im. Comunismul francez \u0219i mai apoi cel rus au centralizat statul, au na\u021bionalizat moravurile, au impus ini\u021bial degenerarea au impus nihilismul, \u00een termeni economici au impus preferin\u021be temporale sc\u0103zute distrug\u00e2nd avu\u021bia acumulat\u0103 \u00een timp, distrug\u00e2nd munca a genera\u021bii de oameni activi economic. Confruntat cu colapsul economic dar \u0219i cu competi\u021bia extern\u0103 comunismul francez s-a dizolvat \u00een imperiu, cel rus a devenit tradi\u021bionalist \u0219i conservator cultural. Dus a fost domnul de Sade<\/a>, doamna Kollontay a fost transformat\u0103 din actor \u00een spectator al istoriei. Orduri precum Justine<\/a> au fost just apreciate, fornica\u021biunii i s-a spus pe nume, nu mai era permis s\u0103 fie confundat\u0103 cu b\u0103utul unui pahar de ap\u0103<\/a>.<\/p>\n \u00cen context este important de notat divor\u021bul \u00eentre nihilismul inerent ideologiei comuniste \u0219i ratele de acumulare imense impuse de politicienii comuni\u0219ti asupra societ\u0103\u021bii, rate niciodat\u0103 validate de pia\u021b\u0103, de preferin\u021bele oamenilor, de dorin\u021ba acestora de acumulare. \u00cen acela\u0219i timp, aflat sub presiunea rezervelor frac\u021bionare, omul occidental \u00ee\u0219i reducea constant preferin\u021bele temporale distorsiunea introdus\u0103 de moneda fiduciar\u0103 \u00eencepea s\u0103 aib\u0103 consecin\u021be culturale mai \u00eent\u00e2i \u00een occidentul european \u0219i mai apoi \u0219i \u00een cel nord american.<\/p>\n Scriitori precum Thomas Mann<\/a> dar \u0219i economi\u0219ti ai \u0219colii austriece precum J\u00f6rg Guido H\u00fclsmann<\/a> au observat \u0219i explicat leg\u0103tura biunivoc\u0103 \u00eentre moneda fiduciar\u0103 \u0219i nihilismul cultural, lumea german\u0103 a avut \u00eendoielnicul privilegiu de a fi resim\u021bit prima \u0219ocul trecerii de la civiliza\u021bie c\u0103tre barbarie. Fr\u0103m\u00e2nt\u0103rile specifice lumii germane \u00een prima parte a secolului trecut sunt, \u00een mare parte, urm\u0103rile culturale \u0219i civiliza\u021bionale ale colapsului monetar al Republicii de la Weimar.<\/p>\n Este de observat c\u0103 dezvolt\u0103rile culturale ap\u0103rute \u00een lumea german\u0103 \u00een siajul hiper infla\u021bionist<\/a> al anilor 20 ai secolului trecut au fost exploatate de politicieni, inclusiv de politicieni sociali\u0219ti precum dl. Hitler, reac\u021bia acestora \u00eempotriva degener\u0103rii<\/a> nihilist-infla\u021bioniste a mediului cultural a fost, deloc surprinz\u0103tor, una aduc\u0103toare de voturi. \u00cen context este de notat lipsa de respect a locuitorilor Bucure\u0219tiului pentru a\u0219a zisele monumente urbane av\u00e2nd tr\u0103s\u0103turi emaciate, cu falange prelungi \u0219i fragile precum au ordurile exhibate \u00een zona Palatului Regal<\/a>, a Teatrului Na\u021bional<\/a> sau \u00een zona Her\u0103str\u0103u<\/a>. Dispre\u021bul bucure\u0219tenilor pentru pseudo-arta postmodern\u0103 a\u0219teapt\u0103 s\u0103 fie valorificat politic, este inevitabil, este firesc \u0219i moral s\u0103 se \u00eent\u00e2mple astfel.<\/p>\n Dar s\u0103 revenim la tema textului de ast\u0103zi, rezum\u00e2nd cele de mai sus. Am subliniat ecartul paradoxal dintre preferin\u021bele de timp<\/a> artificial de sc\u0103zute, impuse monetar prin politici infla\u021bioniste \u00een Occident \u0219i preferin\u021bele de timp la fel de artificiale dar de sens opus, preferin\u021be de timp nenatural m\u0103rite impuse politic de partidele comuniste \u00een Estul Europei \u0219i \u00een URSS. Am ilustrat rela\u021bia biunivoc\u0103 dintre preferin\u021ba de timp \u0219i cultur\u0103. Am subliniat faptul paradoxal c\u0103 infla\u021bia impus\u0103 de elitele politice \u0219i financiare occidentale a dus c\u0103tre degenerarea artei \u00een vreme ce \u00een zona comunist\u0103 ratele mari ale acumul\u0103rii au condus c\u0103tre o dezvoltare conservatoare a societ\u0103\u021bii. Cele de mai sus pot fi brutal reduse la nihilismul keynesian<\/a> conform c\u0103ruia pe termen lung suntem cu to\u021bii mor\u021bi \u0219i la optimismul de tip Hrusciov<\/a> care-i informa pe americani c\u0103 \u00een scurt\u0103 vreme copiii sovieticilor vor ajunge s\u0103 tr\u0103iasc\u0103 mai bine dec\u00e2t se va tr\u0103i \u00een SUA.<\/p>\n Evolu\u021biile fire\u0219ti de mai sus au fost exacerbate de faptul c\u0103 \u00een ambele sisteme economice, at\u00e2t \u00een pseudo-capitalismul fiduciar occidental c\u00e2t \u0219i \u00een zona sovietic\u0103 de influen\u021b\u0103, mediile artistice au \u0219tiut s\u0103 se izoleze de public, au devenit autonome de acesta, singura subordonare a fost cea politic\u0103. Iar politicul a \u0219tiut s\u0103 comande degenerare \u00een vest \u0219i obedien\u021b\u0103 steril\u0103 \u00een est gener\u00e2nd invariabil ordur\u0103 pseudo-artistic\u0103 \u0219i uman\u0103 de tip Elton John<\/a> \u00een oglind\u0103 cu tragismul de tip Pasternak<\/a> sau Soljenit\u00een<\/a>.<\/p>\n Autorul acestor r\u00e2nduri nu ignor\u0103 arta (\u00eenalt\u0103) produs\u0103 \u00een Occident sau ordurile jazz, rock etc produse \u00een zona sovietic\u0103 dar constat\u0103 c\u0103 acestea au fost mai degrab\u0103 epifenomene, au fost chestiuni marginale, reprimate \u0219i descurajate de cultura oficial\u0103 a ambelor sisteme. Desigur, sistemele represive s-au dezvoltat \u0219i ele \u00een oglind\u0103, cel occidental a devenit feminin, adic\u0103 specios, insidios, subversiv \u0219i postmodern, violen\u021ba feminin\u0103 fiind rafinat\u0103 \u00een complexitate birocratic\u0103, \u00een disolu\u021bia sistemului de \u00eenv\u0103\u021b\u0103m\u00e2nt \u00een paralel cu dezvoltarea unei pseudo-culturi a psihedelicului \u0219i a fornica\u021biunii lipsite de consecin\u021b\u0103 \u0219i semnifica\u021bie \u00een vreme ce \u00een est violen\u021ba a r\u0103mas masculin\u0103, brutal\u0103, primitiv\u0103 \u0219i contondent\u0103, lipsit\u0103 de prea multe nuan\u021be \u0219i de prea mult rafinament.<\/p>\n Am construit contextul, putem acum \u00een\u021belege pe deplin fotografiile publicate de CNSAS ca fiind o recunoa\u0219tere a degener\u0103rii ca art\u0103 oficial\u0103 a statului post-modern dar \u0219i o revan\u0219\u0103 a violen\u021bei feminine specifice statului post-modern, social \u0219i democrat asupra naturii masculine a violen\u021bei statale de dinainte de 1989. Da, CNSAS a devenit o anex\u0103 a statului feminin, a statului postmodern social \u0219i democrat, al aparatului de propagand\u0103 al acestuia, fotografiile din contemporaneitatea de tip Electric Castle\/UNTOLD publicate de CNSAS ne arat\u0103 cu prisosin\u021b\u0103 asta. Desigur, uzurp\u00e2nd rolul comunit\u0103\u021bilor naturale, statul comunist de dinainte de 1989 a \u0219tiut s\u0103 secrete anticorpi pentru a se ap\u0103ra de degenerarea occidental\u0103, a f\u0103cut-o masculin, brutal \u0219i f\u0103r\u0103 echivoc, fotografiile de epoc\u0103 publicate de CNSAS sunt martore acestui fapt. De\u0219i cuv\u00e2ntul libertate este men\u021bionat \u00een scurtul text ce \u00eenso\u021be\u0219te fotografiile publicate de CNAS, libertatea nu poate fi observat\u0103 \u00een colajul produs de CNSAS. C\u0103ci dup\u0103 cum contrariul violen\u021bei masculine nu este violen\u021ba feminin\u0103, opusul comunismului nu este postmodernitatea, opusul oprim\u0103rii specifice comunismului nu este degenerarea cultural\u0103 ci libertatea \u0219i asumarea consecin\u021belor care decurg din \u00eembr\u0103\u021bi\u0219area liber\u0103 a propriului destin.<\/p>\n","protected":false},"excerpt":{"rendered":" de Ovidiu Ionescu Consiliul Na\u021bional pentru Studierea Arhivelor Securit\u0103\u021bii – CNSAS \u2013 a publicat \u00eentr-una din zilele trecute un colaj de fotografii opun\u00e2nd experien\u021ba tinerilor apar\u021bin\u00e2nd genera\u021biei mele \u2013 acum oameni de peste 50 de ani \u2013 cu cea a tinerilor de ast\u0103zi. Sunt imagini puternic contrastante, filozofia de tipul o singur\u0103 imagine valoreaz\u0103 c\u00e2t […]<\/p>\n","protected":false},"author":1,"featured_media":573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[18],"class_list":["post-572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-religie","tag-stat"],"yoast_head":"\n
![Palatului Regal<\/a>, a](\"https:\/\/ro.wikipedia.org\/wiki\/Monumentul_lui_Iuliu_Maniu_din_Bucure%C8%99ti#\/media\/Fi%C8%99ier:Monument_Iuliu_Maniu_-_Bucuresti.jpg\"){kind=link}
![Teatrului Na\u021bional<\/a> sau \u00een zona](\"https:\/\/ro.wikipedia.org\/wiki\/Ioan_Bolborea#\/media\/Fi%C8%99ier:Caragealiana_-_Caruta_cu_paiate_-_ansamblu.jpg\"){kind=link}
![Her\u0103str\u0103u<\/a>. Dispre\u021bul bucure\u0219tenilor pentru pseudo-arta postmodern\u0103 a\u0219teapt\u0103 s\u0103 fie valorificat politic, este inevitabil, este firesc \u0219i moral s\u0103 se \u00eent\u00e2mple astfel.<\/p>\nDar s\u0103 revenim la tema textului de ast\u0103zi, rezum\u00e2nd cele de mai sus. Am subliniat ecartul paradoxal dintre preferin\u021bele de timp<\/a> artificial de sc\u0103zute, impuse monetar prin politici infla\u021bioniste \u00een Occident \u0219i preferin\u021bele de timp la fel de artificiale dar de sens opus, preferin\u021be de timp nenatural m\u0103rite impuse politic de partidele comuniste \u00een Estul Europei \u0219i \u00een URSS. Am ilustrat rela\u021bia biunivoc\u0103 dintre preferin\u021ba de timp \u0219i cultur\u0103. Am subliniat faptul paradoxal c\u0103 infla\u021bia impus\u0103 de elitele politice \u0219i financiare occidentale a dus c\u0103tre degenerarea artei \u00een vreme ce \u00een zona comunist\u0103 ratele mari ale acumul\u0103rii au condus c\u0103tre o dezvoltare conservatoare a societ\u0103\u021bii. Cele de mai sus pot fi brutal reduse la nihilismul keynesian<\/a> conform c\u0103ruia pe termen lung suntem cu to\u021bii mor\u021bi \u0219i la optimismul de tip Hrusciov<\/a> care-i informa pe americani c\u0103 \u00een scurt\u0103 vreme copiii sovieticilor vor ajunge s\u0103 tr\u0103iasc\u0103 mai bine dec\u00e2t se va tr\u0103i \u00een SUA.<\/p>\nEvolu\u021biile fire\u0219ti de mai sus au fost exacerbate de faptul c\u0103 \u00een ambele sisteme economice, at\u00e2t \u00een pseudo-capitalismul fiduciar occidental c\u00e2t \u0219i \u00een zona sovietic\u0103 de influen\u021b\u0103, mediile artistice au \u0219tiut s\u0103 se izoleze de public, au devenit autonome de acesta, singura subordonare a fost cea politic\u0103. Iar politicul a \u0219tiut s\u0103 comande degenerare \u00een vest \u0219i obedien\u021b\u0103 steril\u0103 \u00een est gener\u00e2nd invariabil ordur\u0103 pseudo-artistic\u0103 \u0219i uman\u0103 de tip Elton John<\/a> \u00een oglind\u0103 cu tragismul de tip Pasternak<\/a> sau Soljenit\u00een<\/a>.<\/p>\nAutorul acestor r\u00e2nduri nu ignor\u0103 arta (\u00eenalt\u0103) produs\u0103 \u00een Occident sau ordurile jazz, rock etc produse \u00een zona sovietic\u0103 dar constat\u0103 c\u0103 acestea au fost mai degrab\u0103 epifenomene, au fost chestiuni marginale, reprimate \u0219i descurajate de cultura oficial\u0103 a ambelor sisteme. Desigur, sistemele represive s-au dezvoltat \u0219i ele \u00een oglind\u0103, cel occidental a devenit feminin, adic\u0103 specios, insidios, subversiv \u0219i postmodern, violen\u021ba feminin\u0103 fiind rafinat\u0103 \u00een complexitate birocratic\u0103, \u00een disolu\u021bia sistemului de \u00eenv\u0103\u021b\u0103m\u00e2nt \u00een paralel cu dezvoltarea unei pseudo-culturi a psihedelicului \u0219i a fornica\u021biunii lipsite de consecin\u021b\u0103 \u0219i semnifica\u021bie \u00een vreme ce \u00een est violen\u021ba a r\u0103mas masculin\u0103, brutal\u0103, primitiv\u0103 \u0219i contondent\u0103, lipsit\u0103 de prea multe nuan\u021be \u0219i de prea mult rafinament.<\/p>\nAm construit contextul, putem acum \u00een\u021belege pe deplin fotografiile publicate de CNSAS ca fiind o recunoa\u0219tere a degener\u0103rii ca art\u0103 oficial\u0103 a statului post-modern dar \u0219i o revan\u0219\u0103 a violen\u021bei feminine specifice statului post-modern, social \u0219i democrat asupra naturii masculine a violen\u021bei statale de dinainte de 1989. Da, CNSAS a devenit o anex\u0103 a statului feminin, a statului postmodern social \u0219i democrat, al aparatului de propagand\u0103 al acestuia, fotografiile din contemporaneitatea de tip Electric Castle\/UNTOLD publicate de CNSAS ne arat\u0103 cu prisosin\u021b\u0103 asta. Desigur, uzurp\u00e2nd rolul comunit\u0103\u021bilor naturale, statul comunist de dinainte de 1989 a \u0219tiut s\u0103 secrete anticorpi pentru a se ap\u0103ra de degenerarea occidental\u0103, a f\u0103cut-o masculin, brutal \u0219i f\u0103r\u0103 echivoc, fotografiile de epoc\u0103 publicate de CNSAS sunt martore acestui fapt. De\u0219i cuv\u00e2ntul libertate este men\u021bionat \u00een scurtul text ce \u00eenso\u021be\u0219te fotografiile publicate de CNAS, libertatea nu poate fi observat\u0103 \u00een colajul produs de CNSAS. C\u0103ci dup\u0103 cum contrariul violen\u021bei masculine nu este violen\u021ba feminin\u0103, opusul comunismului nu este postmodernitatea, opusul oprim\u0103rii specifice comunismului nu este degenerarea cultural\u0103 ci libertatea \u0219i asumarea consecin\u021belor care decurg din \u00eembr\u0103\u021bi\u0219area liber\u0103 a propriului destin.<\/p>\n","protected":false},"excerpt":{"rendered":"de Ovidiu Ionescu Consiliul Na\u021bional pentru Studierea Arhivelor Securit\u0103\u021bii – CNSAS \u2013 a publicat \u00eentr-una din zilele trecute un colaj de fotografii opun\u00e2nd experien\u021ba tinerilor apar\u021bin\u00e2nd genera\u021biei mele \u2013 acum oameni de peste 50 de ani \u2013 cu cea a tinerilor de ast\u0103zi. Sunt imagini puternic contrastante, filozofia de tipul o singur\u0103 imagine valoreaz\u0103 c\u00e2t […]<\/p>\n","protected":false},"author":1,"featured_media":573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[18],"class_list":["post-572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-religie","tag-stat"],"yoast_head":"\nDespre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/roexit.info\/?p=572\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit\" \/>\n<meta property=\"og:description\" content=\"de Ovidiu Ionescu Consiliul Na\u021bional pentru Studierea Arhivelor Securit\u0103\u021bii – CNSAS \u2013 a publicat \u00eentr-una din zilele trecute un colaj de fotografii opun\u00e2nd experien\u021ba tinerilor apar\u021bin\u00e2nd genera\u021biei mele \u2013 acum oameni de peste 50 de ani \u2013 cu cea a tinerilor de ast\u0103zi. Sunt imagini puternic contrastante, filozofia de tipul o singur\u0103 imagine valoreaz\u0103 c\u00e2t […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/roexit.info\/?p=572\" \/>\n<meta property=\"og:site_name\" content=\"RoExit\" \/>\n<meta property=\"article:published_time\" content=\"2023-12-17T19:23:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-21T15:12:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png\" \/>\n\t<meta property=\"og:image:width\" content=\"514\" \/>\n\t<meta property=\"og:image:height\" content=\"422\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scris de\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Timp estimat pentru citire\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/roexit.info\/?p=572#article\",\"isPartOf\":{\"@id\":\"https:\/\/roexit.info\/?p=572\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/roexit.info\/#\/schema\/person\/a8f9d854425e670d7be352f0eef6054b\"},\"headline\":\"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern\",\"datePublished\":\"2023-12-17T19:23:09+00:00\",\"dateModified\":\"2025-10-21T15:12:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/roexit.info\/?p=572\"},\"wordCount\":1467,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/roexit.info\/#organization\"},\"image\":{\"@id\":\"https:\/\/roexit.info\/?p=572#primaryimage\"},\"thumbnailUrl\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png\",\"keywords\":[\"Statul Modern\"],\"articleSection\":[\"Religie\"],\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/roexit.info\/?p=572#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/roexit.info\/?p=572\",\"url\":\"https:\/\/roexit.info\/?p=572\",\"name\":\"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit\",\"isPartOf\":{\"@id\":\"https:\/\/roexit.info\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/roexit.info\/?p=572#primaryimage\"},\"image\":{\"@id\":\"https:\/\/roexit.info\/?p=572#primaryimage\"},\"thumbnailUrl\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png\",\"datePublished\":\"2023-12-17T19:23:09+00:00\",\"dateModified\":\"2025-10-21T15:12:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/roexit.info\/?p=572#breadcrumb\"},\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/roexit.info\/?p=572\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ro-RO\",\"@id\":\"https:\/\/roexit.info\/?p=572#primaryimage\",\"url\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png\",\"contentUrl\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png\",\"width\":514,\"height\":422,\"caption\":\"COLAJ CNSAS\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/roexit.info\/?p=572#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Prima pagin\u0103\",\"item\":\"https:\/\/roexit.info\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/roexit.info\/#website\",\"url\":\"https:\/\/roexit.info\/\",\"name\":\"RoExit\",\"description\":\"UE la co\u0219ul de gunoi al istoriei\",\"publisher\":{\"@id\":\"https:\/\/roexit.info\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/roexit.info\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ro-RO\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/roexit.info\/#organization\",\"name\":\"RoExit\",\"url\":\"https:\/\/roexit.info\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ro-RO\",\"@id\":\"https:\/\/roexit.info\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/cropped-logo-vsrianta-2.jpeg\",\"contentUrl\":\"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/cropped-logo-vsrianta-2.jpeg\",\"width\":358,\"height\":277,\"caption\":\"RoExit\"},\"image\":{\"@id\":\"https:\/\/roexit.info\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/roexit.info\/#\/schema\/person\/a8f9d854425e670d7be352f0eef6054b\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ro-RO\",\"@id\":\"https:\/\/roexit.info\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/e92cad7c67ba83f7e12edafde57fd84c602c01df1bef81af56a3fdc0ee24777f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/e92cad7c67ba83f7e12edafde57fd84c602c01df1bef81af56a3fdc0ee24777f?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"https:\/\/roexit.info\"],\"url\":\"https:\/\/roexit.info\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/roexit.info\/?p=572","og_locale":"ro_RO","og_type":"article","og_title":"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit","og_description":"de Ovidiu Ionescu Consiliul Na\u021bional pentru Studierea Arhivelor Securit\u0103\u021bii – CNSAS \u2013 a publicat \u00eentr-una din zilele trecute un colaj de fotografii opun\u00e2nd experien\u021ba tinerilor apar\u021bin\u00e2nd genera\u021biei mele \u2013 acum oameni de peste 50 de ani \u2013 cu cea a tinerilor de ast\u0103zi. Sunt imagini puternic contrastante, filozofia de tipul o singur\u0103 imagine valoreaz\u0103 c\u00e2t […]","og_url":"https:\/\/roexit.info\/?p=572","og_site_name":"RoExit","article_published_time":"2023-12-17T19:23:09+00:00","article_modified_time":"2025-10-21T15:12:35+00:00","og_image":[{"width":514,"height":422,"url":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png","type":"image\/png"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Scris de":"admin","Timp estimat pentru citire":"8 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/roexit.info\/?p=572#article","isPartOf":{"@id":"https:\/\/roexit.info\/?p=572"},"author":{"name":"admin","@id":"https:\/\/roexit.info\/#\/schema\/person\/a8f9d854425e670d7be352f0eef6054b"},"headline":"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern","datePublished":"2023-12-17T19:23:09+00:00","dateModified":"2025-10-21T15:12:35+00:00","mainEntityOfPage":{"@id":"https:\/\/roexit.info\/?p=572"},"wordCount":1467,"commentCount":0,"publisher":{"@id":"https:\/\/roexit.info\/#organization"},"image":{"@id":"https:\/\/roexit.info\/?p=572#primaryimage"},"thumbnailUrl":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png","keywords":["Statul Modern"],"articleSection":["Religie"],"inLanguage":"ro-RO","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/roexit.info\/?p=572#respond"]}]},{"@type":"WebPage","@id":"https:\/\/roexit.info\/?p=572","url":"https:\/\/roexit.info\/?p=572","name":"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern - RoExit","isPartOf":{"@id":"https:\/\/roexit.info\/#website"},"primaryImageOfPage":{"@id":"https:\/\/roexit.info\/?p=572#primaryimage"},"image":{"@id":"https:\/\/roexit.info\/?p=572#primaryimage"},"thumbnailUrl":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png","datePublished":"2023-12-17T19:23:09+00:00","dateModified":"2025-10-21T15:12:35+00:00","breadcrumb":{"@id":"https:\/\/roexit.info\/?p=572#breadcrumb"},"inLanguage":"ro-RO","potentialAction":[{"@type":"ReadAction","target":["https:\/\/roexit.info\/?p=572"]}]},{"@type":"ImageObject","inLanguage":"ro-RO","@id":"https:\/\/roexit.info\/?p=572#primaryimage","url":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png","contentUrl":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/colaj-CNSAS.png","width":514,"height":422,"caption":"COLAJ CNSAS"},{"@type":"BreadcrumbList","@id":"https:\/\/roexit.info\/?p=572#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Prima pagin\u0103","item":"https:\/\/roexit.info\/"},{"@type":"ListItem","position":2,"name":"Despre art\u0103 \u0219i despre sexul violen\u021bei statului postmodern"}]},{"@type":"WebSite","@id":"https:\/\/roexit.info\/#website","url":"https:\/\/roexit.info\/","name":"RoExit","description":"UE la co\u0219ul de gunoi al istoriei","publisher":{"@id":"https:\/\/roexit.info\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/roexit.info\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ro-RO"},{"@type":"Organization","@id":"https:\/\/roexit.info\/#organization","name":"RoExit","url":"https:\/\/roexit.info\/","logo":{"@type":"ImageObject","inLanguage":"ro-RO","@id":"https:\/\/roexit.info\/#\/schema\/logo\/image\/","url":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/cropped-logo-vsrianta-2.jpeg","contentUrl":"https:\/\/roexit.info\/wp-content\/uploads\/2023\/12\/cropped-logo-vsrianta-2.jpeg","width":358,"height":277,"caption":"RoExit"},"image":{"@id":"https:\/\/roexit.info\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/roexit.info\/#\/schema\/person\/a8f9d854425e670d7be352f0eef6054b","name":"admin","image":{"@type":"ImageObject","inLanguage":"ro-RO","@id":"https:\/\/roexit.info\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/e92cad7c67ba83f7e12edafde57fd84c602c01df1bef81af56a3fdc0ee24777f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/e92cad7c67ba83f7e12edafde57fd84c602c01df1bef81af56a3fdc0ee24777f?s=96&d=mm&r=g","caption":"admin"},"sameAs":["https:\/\/roexit.info"],"url":"https:\/\/roexit.info\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/posts\/572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roexit.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=572"}],"version-history":[{"count":1,"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/posts\/572\/revisions"}],"predecessor-version":[{"id":574,"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/posts\/572\/revisions\/574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/roexit.info\/index.php?rest_route=\/wp\/v2\/media\/573"}],"wp:attachment":[{"href":"https:\/\/roexit.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roexit.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roexit.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"https:\/\/ro.wikipedia.org\/wiki\/Statuia_lui_Charles_de_Gaulle_din_Bucure%C8%99ti#\/media\/Fi%C8%99ier:Charles_de_Gaulle-Bucuresti-_2010.10.13.jpg\"){kind=link}